填空题
Moving from the political to the literary arena throughout
the 1960s and 1970s, feminist critics began to examine the
traditional literary canon and discover example after example of
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male dominance and prejudice that supported Beauvoir"s and
Millett"s assertion which males considered the female "the
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Other," an unnatural or deviating being. First, stereotypes of
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women were abounded in the canon: Women were sex maniacs,
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goddesses of beauties, mindless entities, or old spinsters.
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Second, while Dickens, Wordsworth, Hawthorne, Thoreau,
Twain, and a host of other male authors found their way into the
established literary canon, a few female authors achieved such
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status. Third, for the most part, the roles of female,
fictionalized characters were limited to secondary positions, more
frequent than not occupying minor parts within the stories or
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simply averting to the male"s stereotypical images of women.
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Fourth, female scholars such as Virginia Woolf and Simone de
Beauvoir were ignored, their writings seldom, if never, referred
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to by the male crafters of the literary canon.
Feminist critics of this era asserted that these males and
their male counterparts who created and enjoyed a place of
prominence within the canon assumed that all readers were
females. In addition, since most of the university professors
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were males, more frequently than not female students were
trained to read literature as if they were males. The feminists of
the 1960s and 1970s now postulated the existence of a female
reader who was affronted by the male prejudices abounding in
the canon.